multimedia installation. dual-channel video, DeepMoon dataset, drawings, archival material, CNC marble sculpture, digital print on textile

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As a result of advances in machine learning, our understanding of today's world is ever more mediated by machines. What challenges does deep learning bring to human-based knowledge? What do machines see and do differently than humans? How can artificial intelligence enhance new forms of experience and understanding?

To address these questions, in Counting Craters on the Moon, Kyriaki Goni purposely turns her gaze to a distant and uncanny territory: the Moon and its surface. The Moon, according to the artist, constitutes a fascinating example and offers an interesting analogy. Lacking an atmosphere, it operates as a data center which stores in its body the memory of our solar system and allows predictions for the future.

The installation presents an imaginary encounter between astronomer Johann Friedrich Julius Schmidt (1825-1884) and the neural network DeepMoon, both of which set out to count the craters on the moon. Speculating upon the possible synergies between human and machine, the artist invites us to imagine how we can learn from and with machines in order to build different, multiple and, possibly, collective understandings of the surrounding world and its cosmos.

solo show at Drugo More, Rijeka, January 2020 curated by the artist

solo show at Aksioma Institute of Contemporary Art, Ljubljana, October 2019 curation and text by Daphne Dragona

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